Dear world.
A wonderful being, man, father, and great African drum spirit teacher has left our midst.
Thomas Boukaka expired, passed on, died, left his body, kicked the bucket, crossed over…today.
Ma Boukaka was one those kind of teachers that you had to hang out with to get. I was lucky to have had some time with him, and to be recognized by him.
When I met Baba Olatunji, I was bitten by the African drumming and dance bug. I needed to study with someone in between the times that I saw Baba (every 6 months or so). I began with Fred Simpson, local teacher and Congolese drummer ( yeah, also W. african).
Fred’s classes were hard in lots of ways…not easy for me to learn… Felt dumb, dumb, dumb. Competition high, competence low.
Went to lots (years) of other classes too before I just broke. Said to myself..”this is not fun. I feel bad about myself. ” No warm fuzzies. No encouragement, nurturing.. just vying. Either fastest, loudest, quickes to learn rhythms or most athletic. Had nothing to do with the spirit which drew me to drumming in the first place.
(Even with Baba the stakes were high. People angry at me taking my seat next to the Man..Little did they know how much the seat cost.)
Do I sound like I am whining?
I am not. It was what happened.
It was a hard 7 or so years for me. Even the women were not so nice ( yes, and you know who you are.)
But there was also this drive that would not let me give up…Rhythm that calls. the calling for mastery. Passion, so many things. A calling.
I knew Ma Boukaka from the first, and always felt his friendly vibe..
We put on a gig together at the Masonic Temple. Drum circle– followed by Bole Bantu, his band. They played. We danced. Very good vibes. I liked him… He had these funny, sparkly, electric-lighted sunglasses. His own person.
So, after playing with the big boys felt worse and worse, I gave up Fred (and others.) And I started going to Boukaka’s class, Tuesday nights, at Peninsula School, Menlo Park, CA.
I really don’t know that you could call it a class, per se.. It was more like hanging around with the village elder. No breaking things down, just over time (and I was there for a few years,) you caught on to most of the rhythms… And there were always songs and stories.. mostly about roosters or women kicking their men out for drinking too much. Little by little, you learned about the culture.
Some people like Geoff, Judy, Bob, and Brad were there since God, and the class was always mixed levels.. Anthony was there lots, too… very good drummer…
Some guy used to come in a wait for class to be done so he could play piano.. very casual and what I needed.. I felt included and less defensive.
I went to Congo camp with the Congolese family. Nancy, Ma Boukaka’s wife– good dancer, fine person. Regine, Ma Boukaka’s daughter, great dance teacher.
Malonga Casquelourd, Titos Sompa, Mbembe, Matingou, Samba Ngo, Mabiba Baegne and others.
Hundreds of Dancers.
Lots and lots of drummers… from beginners to professionals..
Long enough to sink into the vibe of being. Singing, kalimba, camping, paddling on the little pond.
And Ma B in the kitchen… in a way, holding the whole thing together.
Bole Bantu Boukaka played great dance music for my 50th birthday celebration, and for Terry’s and my wedding.
What is it that makes a great teacher for a student?. I think that it is when you are recognized– not for what you can do in the moment, but for your potential, the thing that make you unique. It is not egoic. It is necessary for people to validate us. Yes, you have to do your own work and lick your wounds, do your forgiving, put the past in a sensible light.
But when someone you honor honors you back, our progress on this path of self-healing can advance by leaps and bounds.. that is what Mr. Thomas Boukaka gave to me. Encouragement, faith, hope.
Thank you, Ma Boukaka– for everything.